Canon launches EOS C300 Mark III, film servo 25-250mm

The company’s latest product announcements also include a new portable zoom lens targeted at the UHD broadcast market and new lens control accessories.

Canon USA has launched the EOS C300 Mark III digital cinema camera and Cine-Servo 25-250mm (T2.95-3.95) cine lens.

this C300 Mark III Featuring a new dual-gain output sensor, as well as a modular design and interchangeable lens mounting options, users can easily customize the camera to suit their needs. The camera weighs approximately 3.9 pounds.

“Creativity shouldn’t be hindered by a lack of choice, and Canon understands that, which is why we continue to expand and grow our award-winning Cinema EOS family of cameras,” said Tatsuro Kano, executive vice president of Canon U.S. Inc. Imaging Technologies and Communications Group. “The C300 Mark III will integrate seamlessly into a creator’s toolbox, providing users with imaging solutions with countless possibilities and potential. We look forward to seeing the visionary content created with it.”

The 4K Super 35mm DGO imaging system captures high dynamic range content by reading each pixel with two independent gains; one gain prioritizes saturation in highlight areas, while the other suppresses noise in shadows. The result is images with up to 16+ stops of dynamic range, crisp shadows and vibrant highlights at up to 4K/60p. In 2K recording mode, the camera records at up to 180p. The camera is equipped with Canon’s latest video imaging processor Digic DV 7, which enables smoother and more efficient 4K and HDR recording, and can handle high-speed video recording, including 4K, up to 120p.

The C300 Mark III uses Cinema Raw Light, which helps reduce the data size of files to 1/3-1/5 of similar Cinema Raw files without affecting grading flexibility. In addition to being able to record 4K and 2K raw material internally, the camera also supports XF-AVC (with a choice of Intra or LongGOP), providing flexible options in terms of recording duration.

The camera comes with 13 accessories, including a 4.3-inch LCD monitor and GR-V1 grip. The expansion unit supports genlock, sync output, remote use, and Ethernet connectivity; the EU-V2 has these features as well as V-shaped battery connections and two analog XLR audio ports. Replace with EF Theater Lock Mount or PL Mount.

Features of this camera include: 4K DCI/UHD up to 120 fps and 2K/HD up to 180 fps, supporting 4:2:2 10-bit XF-AVC recording; two CFexpress media card slots; and EF and PL lenses (with optional mounting kit) and compatible with anamorphic and spherical lenses; Dual-pixel CMOS AF, up to 120fps; Five-axis electronic anti-shake, can be used even without using a lens with IS function; Supports Canon Log 2 and 3; Four-channel recording, supports 4 XLR inputs, uses EU-V2 and user LUTs, allowing users to upload and apply custom LUTs.

The C300 Mark III will be available later this year for $10,999.

this Cinema servo 25-250mm This lens is designed for use with 4K cameras and is available in EF and PL mounts. Weighing 6.7 pounds, it features a 10x optical zoom, built-in 1.5x teleconverter, and detachable servo motor drive, providing broadcast-quality shoulder operation for ENG/EFP and documentary-style shooters.

“As the lines between broadcast, film and commercial production continue to blur, it becomes even more important to have a seamless product line that provides solutions across a wide range of applications,” Cano noted. “The Cine-Servo lens series combines outstanding performance with an unrivaled focal length range (from 17mm to 1500mm) in a three-lens series. The new 25-250mm lens adds a lot of versatility to the series and will soon become A favorite among production houses big and small.

The Cine-Servo 25-250mm is ideal for cameras equipped with Super 35mm sensors. The 10x zoom covers a focal length range of 25-250 mm, and the built-in extender can extend the focal length range to 375 mm. Another benefit is that it can achieve full-frame sensor coverage with only one notch difference in light loss.

The servo drive unit can be easily removed for manual operation, and the gear pitch is compatible with standard theater zoom and focus controls. The EF mount version of the lens can utilize Canon’s proprietary dual-pixel CMOS autofocus to provide users with smooth autofocus operation and high-speed tracking performance, while the PL mount version supports Cooke/i technology. The lens also has macro capabilities for close-up shots.

The Cine-Servo 25-250mm will be available later this year for $29,999.

In addition, Canon also released its latest 4K ultra-high-definition broadcast-grade portable zoom lens— CJ18ex7.6B Case Sas well as two new G-Series lens control accessories, ZDJ-G01 zoom requirements and FDJ-G01 Focus on needs.

The CJ18ex7.6B Kase S has a zoom range of 7.6-137mm and is designed for 4K cameras with 2/3″ sensors. It has the same optical specifications as the CJ18ex7.6B IRSE/IASE but lacks an optical extender, making it The lens maintains a compact, lightweight design and is compatible with the new Canon ZDJ-G01 Zoom Demand and FDJ-G01 Focus Demand accessories, providing operators with enhanced lens functionality and operational control.

The CJ18ex7.6B Kase S weighs 3.7 pounds and leverages Canon’s proprietary optical design technology using materials such as fluorite and extra-low dispersion glass to achieve a high level of 4K UHD performance throughout the entire zoom range. In addition, this lens supports the wide color gamut recognized by the ITU-R BT.2020 UHD broadcast standard.

The CJ18ex7.6B Kase S will be available later this year.

The ZDJ-G01 and FDJ-G01 accessories, now available, integrate digital control processing, displays and new control switches, allowing users to add new creative operating functions to meet the different needs of sporting events, television stage performances and opera broadcasts. These accessories support a wide range of Canon field, studio and portable broadcast lenses.

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